Enter the Encrypted World: Packaging Première & PCD Milan 2024 Art Gallery dedicated to Digital Art.
Every year, Packaging Première & PCD Milan sets up an art gallery at the entrance of the fair to celebrate the connection between design, art, and packaging. In 2024, the Art Gallery is dedicated to digital art.
In the Art Gallery of Packaging Première & PCD Milan 2024, you can discover the works created by some students from the Accademia Aldo Galli in Como and the Accademia Santa Giulia in Brescia, where the artist Vincenzo Marsiglia, the creator of the project, teaches.
The Project
For the realization of the NFT project, the new Italian platform Openverse will be involved, where all the digital works will be introduced into the crypto world.
The installation of the works will all be on vertical screens with a particular setup created with walls that will create diagonals to allow for a wider view of the project. This is the new way of experiencing digital art, where a color reminiscent of the NFT and packaging world will be created to provide elegance and immersion, thus becoming one with the flooring and walls.
Each student has created their own work according to their artistic expression with their own themes in order to give ample scope to personal creativity, without a specific theme, as this allows for pure digital artistic expression.
Discover the artworks and meet the artists
Zerbrechliche Harmonie – Alexa Baldessari
Zerbrechliche Harmonie represents the intertwining of nature and humans, and the attitude of the latter towards the former. For centuries, nature has been humanity’s greatest treasure, but despite being part of it, humans can become its worst enemy, exploiting it and leading it to destruction. The work depicts a naked woman in a foetal position in the mountains, with a cow skull on her shoulders, in the embodiment of sustaining destiny. A fusion of two elements that dissolve into nature itself.
Alexa Baldessari
Alexa Baldessari was born in Bressanone, South Tyrol. She studied at the art high school in Bolzano and continued at the Aldo Galli Academy of Fine Arts in Como.
Her artistic production is inspired by her South Tyrolean roots, a cultural “minority” in Italy. This has amplified her interest in other backgrounds and enabled her to appreciate different cultures. Through various media and materials, she explores regions’ traditions and customs. She works on cycles that encompass different ethnicities, creating a sensory experience.
Memories – Alice Scaglia
With the Neural Blender programme, I created a series of images that bring back memories of childhood, sometimes with personal meanings, but as the mind would visualise these memories: distorted. The images scroll through a faceless photo of me, indicating the memories flowing in my mind, and through my hands, as they relate back to my experiences. This is accompanied by sounds that change according to the memory (children laughing, etc.).
Alice Scaglia
My name is Alice Scaglia and I was born on 14 July 2001, in Brescia.
Ever since I was a child, I have always had a vivid imagination and art is a way of freely expressing this creativity of mine. I tend to pour my emotions into all my projects. This is a part of myself that I consider very important, not only to feel connected to my work, but also to the people who will eventually see my art.
What I saw, what the machine sees – Andrea Olgiati
I incorporated one work into the other in this project called WHAT I SAW, WHAT THE MACHINE SEES. The first, now swallowed up, was created using conventional drawing methods; copying from life, chiaroscuro and visual aids. Painted in liquid charcoal on canvas, it depicts a still life, a particular fruit found in different periods of art history, a simple banana. This painting was then digitised, fed into an AI system and used as a template, revealing its ghostly, distorted, unexpected aspects.
Andrea Olgiati
Andrea Olgiati was born in Locarno in 1987. He graduated as a cartoonist and illustrator at a very young age in Florence and later in Milan. He obtained a bachelor’s degree in Painting and Visual Languages at the Academy of Fine Arts in Como in 2023. He has been working for more than a decade in the fields of drawing, advertising and art teaching in Switzerland and abroad. His research comprises both the rediscovery of classical painting techniques and narrative applied to contemporary issues. He currently dedicates himself to coordinating and teaching at the Mimesi Art School in Locarno.
Rebirth – Angelica Zamblera
Starting from the photographic project Fragility (2022), I took it to its conclusion as rebirth of my person.
“Before getting up again, you have to hit rock bottom”; this concept made me imagine a scenario where black and white dominate, albeit creating many shades of grey.
The result was made possible through the use of Procreate and the fluidising filter, reducing or enlarging the brush size, thus achieving the essence of the image, taken to the utmost extremes of being.
The fluidity of the mark contrasts with the earthy, jagged texture of the shots.
Angelica Zamblera
Angelica Zamblera was born in Brescia on 24 September 2002, but she grew up in the village of Zandobbio in the province of Bergamo, surrounded by green woods and characterised by a relaxed air, albeit one with a strong work ethic.
She is a painting student at the SantaGiulia academy in Brescia, where she is furthering the studies she began at the Andrea Fantoni artistic high school in Bergamo on the figurative arts course.
Her current artistic research is based on the contemporary and its tendency towards the commodification and idealisation of objects and/or people, including a line dedicated solely to more personal work on the body, as in the case of Rebirth and the previous photographic work Fragility (2022).
Do You Know Who You Are? – Anna Carola Aristo
The work explores the construction of identity shaped by interactions with the world. The face is formed by experience lines, but when it becomes fluid and the video reverses, a metaphorical journey of discovery of one’s essence begins. It invites reflection on the complexity of identity and the interaction between external influences and individuality, questioning masks. A beat resonates with the emotional and existential aspects of the work, creating a compelling sensory experience.
Anna Carola Aristo
Born in a small mountain town and with a scientific background, she arrived at the Academy in 2019. Her art delves into the realms of contemplation and reflection on the profound interconnectedness of life. Animals, nature and the human experience are recurring motifs in a dialogue about the beauty and fragility of existence. It is a visual exploration of the intricate dance between humans and their surroundings, a celebration of life and the profound mysteries that surround us.
Falena 2.0 – Bruna Stefania Benzoni
The work Falena 2.0 (Moth 2.0) is intended to symbolise the fragility of human life, which with a flap of its wings can disappear, fall into the void and remain shrouded in nothingness, accompanied only by a deafening silence. The seemingly abstract image is a fragment of this moth that is created in time, a time marked by beats that alternate the noise of millions of lepidoptera with silence, life with death.
Bruna Stefania Benzoni
Bruna Stefania Benzoni was born on 31 May 2000 in the province of Brescia.
She enrolled at the SantaGiulia Academy of Fine Arts in Brescia, to cultivate her artistic dream. Here she explored drawing techniques such as red chalk and oil painting, but also learned important concepts from art history. Because of Covid, she was unable to expand her knowledge as much as she would have liked, but she did not give up. In 2022 she received her bachelor’s degree in painting and sculpture. After a short time, she resumed her studies again, this time opting for Interior Design once again at SantaGiulia, eager to expand her knowledge.
In March 2023, she participated in the Digital Attitude exhibition at the Var Group headquarters in Milan.
Autoritratto n. 2 – Carlotta Bontempi
The work selected is Autoritratto n. 2 (Self-Portrait No. 2), which is part of a project of six works (three self-portraits, each with its respective abstraction) and a video narrating this process. The aim is to represent the inner change brought about by time, through the disintegration of faces to the point of the cancellation of the image itself, which returns to a primordial phase, to a blank canvas waiting to take on a new form.
Carlotta Bontempi
Carlotta Bontempi was born on 28 November 1995 in Brescia.
Her artistic research is rooted in the need to reveal those inner mechanisms that drive her actions and thoughts, thus managing to circumscribe them, understand them, and – through the act of defining them – stem their emotional intensity.
This need incorporates a great variety of different techniques, with a predilection for those capable of reflecting the transformative action of time upon themselves.
Orologino – Chiara Sandrini
Orologino (Watch) is part of the triptych Ricordi cuciti (Stitched Memories) (2022) and is the result of combining embroidery and digital art. The subject is a gold watch given to her by his maternal grandfather. Starting with the photograph, the image was transformed into a geometric pattern of triangles. Subsequently, each triangle was overlaid with an embroidery texture, manually created with a wool thread sewn onto a painting canvas and digitally processed to change its colour. All this represents the fond memory of a loved one who is no longer with us, painful and chaotic like the triangles, but warm and soft like wool.
Chiara Sandrini
Chiara Sandrini was born on 16 September 2000 in Brescia. She grew up surrounded by coloured pencils and felt-tip pens, which helped her express what she was never able to say in words, as she was shy and introverted. She attended the Liceo Artistico Statale M. Olivieri high school in Brescia, obtaining a diploma in Architecture in 2019. She then continued her studies at the SantaGiulia Academy of Fine Arts, where she refined certain painting techniques, such as oil on canvas and watercolour on paper, and where she completed a three-year degree in Painting (2023). She is currently attending the Illustration course at the International School of Comics in Brescia.
In 2021, she participated in the exhibition Basta violenza sulle donne (That’s enough violence against women) in the city of Chiari (BS) and in 2023 she featured in the exhibition Digital Attitude at the Var Group headquarters in Milan.
Maravigghia – Davide Bertelé
In this artwork, one can see the creation of figures piled one on top of the other: these deformed elements are connected and added together until the scene is almost completely obscured except for a few small white spaces reminiscent of constellations.
The aim of the work is to go beyond the concept of beauty, which is not to be understood as a standard imposed by tradition, but as pure pleasure in enjoying shapes and colours that affect the viewer’s emotions and sensitivities.
Davide Bertelé
Davide Bertelè (1999) lives and works in Brescia.
He is currently attending the two-year specialisation course at the SantaGiulia Academy of Fine Arts in Brescia. He attended the Digital Image Processing course taught by Professor Vincenzo Marsiglia, with whom he also developed the “Maravigghia” project.
He has exhibited in Brescia at the Museo Diocesano, Bunkervik and the Calicanto art space; in Bergamo he has exhibited at Risma11Multifactory. In 2019 he exhibited at a workshop in Tanzania with the Tovini association.
His artistic research ranges from painting to sculpture, from graphics to multimedia installations. In his works, he seeks to combine the various modes of expression by virtue of an inquisitive and active approach.
Untitled – Elisa Benini
Untitled, 2023, work realised with Procreate. The pictorial research behind the work investigates the interaction between colour, form and sign in digital. The idea is based on the expression of movement and dynamism and combines attention and sensitivity to colour. The intention lies in the reinterpretation of nature through colour and the expression of the emotional impact it arouses.
Elisa Benini
My name is Elisa Benini and I study at the Brera Academy of Fine Arts. At the Academy in Brescia, I attended the Digital Image Processing course taught by Vincenzo Marsiglia, where I experimented with digital media.
My artistic production focuses on the result of sign, form and colour, using mostly oil techniques. The paintings are a mixture of colours inspired by the natural world and represent the dynamic motions of plant growth and development, conceived as a metaphor for the life cycle. The works depict places of memory and cannot be traced back to real places: they are images that arouse emotions experienced through memory.
THE DANCE TAKES PLACE IN THE CYCLICAL NATURE OF COLOR – Elisa Besozzi
The digital painting stems from the idea of a new dimension, where amorphous forms are generated by a set of movements. The main concept is dance, which flows from the choreography and the moving figure to a less defined form that generates a subject-object, creating a sensation of sculptural geometry. The final step is a metamorphosis, where we move towards change through maturation, progressing from simpler forms to more complex ones. The cycle composes a continuous work, like the same process that is evolving without ever reaching an actual completion, instead remaining in a continuous loop.
Elisa Besozzi
Elisa Besozzi (2001) graduated from the Visual Arts Department at the SantaGiulia Academy of Fine Arts in Brescia with a major in Painting. Since a young age, she has been passionate about art and dance, which manifest themselves in her works by creating special scenic and sensory effects. The themes of ballet, theatre and cinema are often found in her pieces. In her artistic career, she is currently experimenting with the use of various techniques and technologies including plasticine, epoxy resin and digital painting. The central concept is to “give life” to the painting in order to emphasise the work through the use of other materials and mediums.
Project Exstinctio – Act 0 – Elisa Pistoni and Emanuele Andreis
The video presented is a digital re-proposition of the previous work Project Exstinctio – Act 0.
Three insects with garish metallic colours rotate on themselves. Ostensibly embellished, they lose their repellent nature, becoming lifeless and unrealistic ornaments. The intention is to emphasise how violence and misinformation are rampant in everyday life through a bombardment of “images” that sweetens and anaesthetises them, allowing appearances to rule in a melting pot where it is difficult to distinguish reality from fiction.
Elisa Pistoni
Elisa Pistoni is an artist who was born on 11 February 2000 in Peschiera del Garda. She graduated in 2023 from the SantaGiulia Academy of Fine Arts in Brescia with a three-year degree in Painting. She is currently studying at the Albertina Academy of Fine Arts in Turin to complete her master’s degree.
Her research revolves around the knowledge of herself and her emotions. She maintains a strong link with the figurative image of the body and with anatomy, while attempting to escape it through the addition of matter in the paintings and the use of strong signs.
Emanuele Andreis
I was born in Desenzano del Garda on 9 February 2000. After graduating from the three-year course in Sculpture at the SantaGiulia Academy of Fine Arts in Brescia, I am now attending the master’s degree course in Sculpture at the Albertina Academy of Fine Arts in Turin.
Digging introspectively to give tendentially figurative form to inner turmoil and experience, providing a key to interpreting phenomena and the world we inhabit: this sums up my research in a nutshell.
RH-2077 – Federica Rovere
What would cyborgs look like if they existed? What would humans feel when faced with such creatures? These are two of the questions I ask myself when creating my works. My vision of cyborgs is one of seemingly human figures, but characterised by certain aspects that show their mixed organic and inorganic nature. In creating this digital painting, I was inspired by the inexpressiveness of mannequins and their plastic “skin”.
Federica Rovere
Nata a Como nel 2002, Federica Rovere è una giovane artista attualmente studentessa dell’Accademia di Belle Arti Aldo Galli di Como. Dopo aver frequentato il liceo artistico Gaudenzio Ferrari di Morbegno, ha deciso di continuare gli studi scegliendo il percorso di Pittura e Linguaggi Visivi. Ha partecipato al premio Aldo Galli del 2022 e del 2023. Ha anche preso parte al progetto “La Grande Bellezza” indetto da Synlab di Como.
Domenica – Francesco Salvi
The work is developed on three levels: photographic, paper and, lastly, digital.
The intention is to tell the story of the places I love to frequent, making them recognisable, but also giving them a personal touch, to emphasise an emotional bond.
In this case, I created a path within the forest, starting with an open view, and then arriving at a single, small detail. I also combined the images with the natural sounds from those woods.
Francesco Salvi
My name is Francesco Salvi, I’m 21 years old and currently attending the third year of the painting course at the SantaGiulia Academy in Brescia, the city where I was born and where I live.
Before embarking on this educational journey, I attended a language school, but around the age of 17 I began to develop an interest in art, becoming more and more enamoured with it from that moment on. Over recent years, I have formed a strong passion for oil and watercolour painting, but also for illustration.
Leggimi – Giorgia Gironi
Leggimi (Read Me) explores the role of facial micro-expressions as a revelation of an inner feeling triggered in response to certain situations encountered by the individual. This feedback, produced involuntarily by the facial muscles, cannot be prevented or simulated, so it is authentic. By means of slowed-down digital animation, the work aims to show the manifestations of different moods that occur very quickly in reality.
Giorgia Gironi
Born in Milan on 25 September 2001, Giorgia currently divides her time between Bergamo and Brescia and attends the painting course at the SantaGiulia Academy of Fine Arts. Her artistic research is strongly influenced by her previous studies at the P. Secco Suardo human sciences high school in Bergamo, as it focuses mainly on psychological themes, with a desire to explore people’s mental space, encompassing moods, thoughts and attitudes.
See the future – Giulia Laurenzi
The work stems from a photograph of mine in which I wanted to merge the ancient, characterised by magic and mystery, with the modern, conveyed using the video element. The latter becomes part of the work as an element of divination, coming alive while the rest of the work remains static. The remainder of the picture remains suspended and at times fairy-tale-like, thanks in part to the subject matter, which is inspired by the figure of the witch, particularly from northern European folklore.
Giulia Laurenzi
Giulia Laurenzi nasce in un piccolo paese in provincia di Como. Frequenta il Liceo artistico Ferrari di Morbegno e successivamente prosegue la sua formazione presso l’Accademia di pittura e linguaggi visivi Aldo Galli di Como. Lavora principalmente tramite il media fotografico con cui realizza immagini ispirate allo scenario gotico, dove è spesso presente il tema della mortalità, anche grazie a fondali provenienti da elementi naturalistici o elementi urbex.
Illusion – Laura Combini
Illusion is a work created with Adobe Photoshop. It is the encounter between digital and material. The textures of the fabrics are arranged in such a way as to create three-dimensionality, with the lightest weave in the centre, becoming heavier towards the sides. The photographs are arranged according to the rule of light and dark, within a pattern repeating the same “S” motif.
Laura Combini
Before enrolling at the academy, I attended the Maffeo Olivieri art school in Brescia. A passion for art has always been a focal point in my family and in my life. This dedication has led me to experiment and create not only paintings but also to design objects with iron and steel, a project I started this year that will hopefully last a lifetime.
PROSOPAGNOSIA – Marco Quinzanini
The loop consists of frames of abstract portraits, created by adding parts of different faces, bound together in the production of new identities. The title alludes to the impairment of the same name, whereby sufferers have difficulty recognising the faces they encounter and end up mixing up the identities they know. The faces are quickly repeated, and despite having a given number of faces, each frame seems to show a different person from those previously seen.
Marco Quinzanini
Marco Quinzanini (aka Original JNKM) was born in 2001. He is an artist from Brescia who conducts artistic research that culminates in the production of works dealing with disparate themes, where Humankind, his favourite subject, is the victim of an aesthetic “monstrification” that deforms and alters.
He graduated in 2020 from the Maffeo Olivieri Art School; in 2023 he graduated from the Painting course at the Santa Giulia Academy in Brescia.
He is still studying at the Santa Giulia Academy today.
Serafino – Mariasole Gnutti
“The name Seraphim clearly indicates their ceaseless and eternal revolution about Divine Principles” (Dionysius, De coelesti hierarchia). Gnutti created a looped video animation starting with the creation of the symbolic image of an Angel’s face around which his Attributes revolve, in the generation of a continuous and hypnotic movement. The elements of the work were digitally produced using Procreate and Alight Motion. The audio is derived from the sound made by running a finger around the rim of a crystal glass, in line with the idea of circularity, repetition and purity of the theme addressed.
Mariasole Gnutti
Mariasole Gnutti was born in Padua on 22 June 2000. She began her studies first at the De Fabris art school in Nove, and later at the SantaGiulia Academy of Fine Arts in Brescia, where she attended the Painting course. Her artistic research is based on a classical training that focuses on development in the digital sphere, therefore concentrating on the study of illustration with new methods and tools for creating a work.
Sentimenti – Martina Cardillo
Sentimenti (Feelings), the work created with the monotype technique, seeks to make the viewer reflect on how words and gestures can hurt both body and soul. Actions that sully you and leave their mark. They are translated in the work with contaminated imprints of a raw body.
Martina Cardillo
Born in Brescia on 04/09/2001, Martina currently lives in Brescia and attends the painting course at the SantaGiulia Academy of Fine Arts. Her artistic research is strongly influenced by feelings and the body, explored through painting, sculpture and engraving.
Tra gioco e finzione – Michele Maghini
This experimental artwork explores the reversal of Homer and Plato’s idea of knowledge in Greek culture resolved by the “failure” of digital technology. Through references to the pre-Socratic philosophers, Herodotus and Hippocrates, and the contrast between seeing and knowing invisible things, the work analyses the theme of sight and blindness, highlighted in the myth of Oedipus and the Sirens. This tragic and paradoxical investigation “brings into play” the roots of the clash between knowing and seeing.
Michele Maghini
Michele, an eclectic visual artist, experiments with photography, oil painting and software. A multi-instrumentalist and composer, he explores the connections between sound and colour. His works range from dreamlike landscapes to intense portraits. Fond of music since childhood, thanks to the influence of his family and his maternal grandfather who introduced him to Dire Straits, A.P. Project and Phil Palmer cassette tapes in the car from an early age, he devotes himself to guitar, piano and composition, reflecting various influences. He continues to explore new forms of expression, challenging the boundaries between the visual and sound arts.
Human Moods – Milena Pagliari
The project studies various emotional states in the form of colours and avatars generated using AI. Three avatars with distinct traits were created with the METAHUMAN programme. Each character is associated with its own colour chart, concerning the main emotions, an identification card, and a QR code that makes it possible to view its own personal badge. Lastly, a video was made that encompasses the avatars’ common actions, accompanied by human voices that bring their inner thoughts to life.
Milena Pagliari
Milena Pagliari was born in Brescia on 24 July 2001. Ever since she was a child, she has embraced the world of art, through which she expresses her creativity, putting her way of communicating on paper. Having graduated from the IIS Mariano Fortuny (Bs), she enrolled at the SantaGiulia Academy of Fine Arts in 2020, specialising in Painting. From that moment on, she came into close contact with art, developing and discovering new techniques and materials and learning about various artistic forms and avenues.
Il Deserto Rosso – Nicola Crescini
For this project I drew inspiration from a 1964 film by Michelangelo Antonioni, Red Desert, starring Monica Vitti. The director uses colour to represent the life of Giuliana, the protagonist. The hues represent a possible hope in her life.
White denotes the emptiness of her depression, pink indicates warmth and joy, and yellow the pollution of the environment in which she lives.
I have superimposed some of the scenes from the film that are most significant to me with plaster on canvas works I have created.
Nicola Crescini
My name is Nicola, I’m 22 years old and I come from Brescia. Ever since I was a child, I’ve had a real passion for art, especially drawing and painting. I’m enrolled in the third year of the painting course at the SantaGiulia Academy in Brescia. From an artistic point of view, I create works rich in detail, with a classical and harmonious composition, but always with a certain special element. This year, I began creating some digital pieces, thanks in part to the digital image processing course.
In addition to this, I have participated in two other artistic anatomy exhibitions.
Pas mal pour des mondines! – Nicole Tassani
From the collection Travail aux champs, Pas mal pour des mondines! On the one hand, the work is seen as a denunciation of the forced labour that the female rice weeders performed in the fields far from home, while on the other, it resurrects the peasant traditions that have always characterised my past and recall my origins and the country where I live. Moreover, the title is meant to be an intimidating phrase, but also one that encourages women to stand up for themselves, not to give up in a world that does not value them professionally and socially.
Nicole Tassani
Nicole Tassani was born in Desenzano Del Garda, in the province of Brescia. She attends the Girolamo Bagatta language school. Nicole has been interested in the world of tattooing and drawing from an early age and this is why she enrolled at the SantaGiulia Academy of Fine Arts, choosing the Painting course, where she discovered oil colours and began to paint, experimenting with various themes such as time.
La pecora, la mucca e la capra in società con il leone – Paolo Rampulla
A trio of animals decide to join forces with Mr Lion in order to procure food. From this fable, told by moving black and white paper illustrations, we see what happens when you trust the powerful. “The lion and the onagre” by Aesop, “Vacca et cappella, ovis et leo” by Phaedrus, “La génisse, la chèvre, et la brebis en société avec le lion” by Jean de La Fontaine, translation of the latter by Emilio De Marchi, revised by the undersigned.
Paolo Rampulla
After the three-year figurative arts course at the Tartaglia-Olivieri institute, Paolo decided to continue his artistic studies at the SantaGiulia Academy of Fine Arts in Brescia, where he attends the Painting course. He focuses on painting and illustration and appreciates fairy tales, fables and word games. The former are a particularly strong influence, as they can express human morals and vices without the need for any complex structure.
Congiunzione – Sophie Glisenti
The work originates from a series of different watercolours on cotton paper. They are used to emphasise the playful and colourful component of the artwork, which becomes an ode to the childlike creation of the work itself. The artist shows two foreign bodies, superimposed on each other, striving to join together in vain. Despite their differences, the bodies have something in common: a set of points that expand, pull and try to conquer space by constantly changing.
Sophie Glisenti
Sophie Glisenti was born in Brescia on 22 March 2002 and lives in the province of Brescia. After attending middle school in her hometown, where she developed a love for drawing, she attended the Olivieri art school in Brescia. During her first years there, she had experiences that would mark her for the rest of her life and lead her to face her first real internal struggles, enabling her to begin her research into the emotions that trouble the human soul and determine humankind.
Autoritratti Invasi – Stefania Borroni
The work consists of a series of biomorphic vases. Although abstract, they evoke or refer to real forms and in this case are self-portraits of the artist.
In fact, the sculptor has digitally created a succession of forms, to be considered as fragments of different moments, which come together to recompose the soul in many facets.
Each of us encompasses many elements, some of which contrast with each other, which then form the singular, one-off and sacred uniqueness of the person.
Stefania Borroni
Stefania Borroni is an Italian-Cuban artist who was born in 2000.
In 2023, she graduated in Sculpture from the SantaGiulia Academy of Fine Arts in Brescia.
She works with ceramics, exploring the lines between sculpture, craft and design and looking for what can foster her own growth in each branch. Her research revolves around personal themes (family relationships, self-definition) and themes in line with the present day and the ensuing complexities (to unite art and reality with accessible works).
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